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What happens when clowns get together to save the world....

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The Clown Congress was a collaboration between three clowns, teachers, activists and academics; Robyn Hambrook, Jon Davison and Hilary Ramsden. We had connected on Zoom during the Pandemic as we explored new ways of working and performing with clown that took us beyond studio and street-based methods and processes. Simultaneously we wanted to discover and create new forms and processes that address political, societal and environmental issues. Following a research residency in Athens in February we want to extend our questions, experiments and discussions to the wider clown community. We wanted to collectively ask what does it mean to be a clown in this current era? In times of crisis and change, the old models of our artforms may need re-imagining to suit the times we are in. And a s we face shifting and transitioning political power systems, climate breakdown and urgent issues of social injustice we are gathering to ask what is the future of clowning in these tur
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Day 0 - Clowns Dive into Nature

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The Congress kicked off with a one-day workshop offered by Portuguese clown, Eva Ribeiro . A friend and prolific clown & activist, I had met Eva online during my Activist Clown Co-lab Series in February. At her invitation I went to Porto to deliver my Activist Clown Weekend. Continuing our conversations on the political possibilities of clowning I invited her to join us at the Clown Congress. This was also a chance to see elements of her own practice in action. 12 lovely clowns joined us on a gorgeous sunny Sunday in the grounds of the Estate to explore Clown Diving in Nature. It was a gently-led invitation to tune into our senses, tap into our intuitive selves to play and respond to nature. Each sense; sight, sound, touch was explored with the playful, lightness of the clown. The day culminated in solos, duos, trios and group presentations by clowns responding site-specifically to the woodland. The day was a welcome opportunity for all partici
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Day 1 - Clowns, Power, Authority & Protest

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by Hilary Ramsden Day 1 of the Clown Congress focussed on Clowns: Power, Protest and Authority. Dr. Bim Mason, (former Artistic Director of Circomedia, researcher, mask-maker and street theatre practitioner) presented perspectives on a brief history of the clown as provocateur in the forms of jester, fool and trickster, and followed this with references to contemporary provocateurs such as Leo Bassi, Sacha Baron Cohen, Banksy & Pussy Riot. He then continued with a presentation of his own most current work, Big Heads, and spoke informatively and in depth about response from and impact on audiences of this particular performance work. Maggie Irving (clown, researcher and educator) followed Bim with a lecture-demonstration of Feminist incursions into Clown practices drawing on her own work and experiences as a female clown. Dr. Hilary Ramsden then completed the more formal presentation part of the day with a talk on the radical phenomenon that was CIRCA (Clandestin
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Day 2: Anti-Racism & Decolonisation

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by Jon Davison   On the second day we explored clowning from an anti-racist perspective and how to decolonise our artform. Session 1 - Halima Habil – Clowns Without Borders Anti-Racist Training Halima Habil shared the anti-racist training she has been developing for the last 2-3 years at Clowns Without Borders. As a response to the dangers of white saviourism in the charity sector (including clowns), Halima is part of an advisory board that produced an inclusion, diversity and decoloniality policy. They provide advice to CWB chapters on challenges, best practices and accountability. The session guided us through exercises in self-reflection on: Our privilege Imagining others’ privilege/disadvantage Some of my notes on how to describe white privilege and allyship: White privilege: No-one here can do it I can do it You need this I felt great when they laughed It’s a pity I can’t go back Allyship Offer to work together Find people that can help Reference her Mention her name in con
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Day 3: Clowns, Climate & Planet

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by Robyn Hambrook   On the third day our focus expanded beyond systemic influences to incorporate the whole planet. And from here we came back into ourselves. Prior to the day I had been thinking about how disconnected and disassociated we can feel to the climate crisis so perhaps we need to first locate the climate crisis within ourselves. I introduced the day and began the first session exploring a workshop I had been developing bringing together clowning with one of my movement practices, Butoh. Butoh is a protest dance form that developed in Japan after the 2 nd World War, as the country faced a cultural identity and emotional crises that left a paralysing scar on the national consciousness. Dance artists reacted to the horrors that had been witnessed by portraying them through the body with grotesque and playful results. I had been playing with Butoh as a way for us to connect to the complex feelings I had been feeling in relation to th
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Day 4: What Next?

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Thursday was our final day. Our numbers were smaller but we were the stalwarts who'd been part of some or all of the previous days. The day started with a swing dance warm up thanks to Oliver Broadbent. It was a delightful, silly way to begin the last day of an intense week. We had programmed two open space sessions so began the task of asking what we wanted to explore further. The stipulations were that they had to have come from what had bubbled up during the week. In the first open space we had two sessions. One group researched the Butoh Clown pieces some more, playing with different options such as nose, no nose, eye contact, all clowns, no clowns etc. Meanwhile another group discussed and then played with ideas of White Fragility. In the afternoon Open Space Sesssion there were three breakouts. One group explored the Climate Crisis as the Trickster though a  trickster story and reinactment. One group talked about Irony - continuing conversations from F
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